The Enea sideboard expresses a clean and modern aesthetic through a matte lacquered wooden structure, enriched by a glossy Glass top and drawer fronts, which add brightness and formal clarity. A versatile collection that combines rigor and refined material research.
For all available combinations and finishes, please refer to the official manufacturer’s website.
For any information, contact customer service.
Sideboard “Enea” – BONTEMPI
The Enea sideboard expresses a clean and modern aesthetic through a matte lacquered wooden structure, enriched by a glossy Glass top and drawer fronts, which add brightness and formal clarity. A versatile collection that combines rigor and refined material research.
For all available combinations and finishes, please refer to the official manufacturer’s website.
For any information, contact customer service.
The Enea sideboard, part of a broader storage program that includes sideboards and tall chests, stands out for its linear and contemporary design, defined by a matte lacquered wooden structure that conveys a sober, balanced and visually elegant appearance. The lacquered surfaces, perfectly uniform, create a refined monolithic effect, enhancing the purity of the proportions.
The top and drawer fronts are made of glossy Glass, a material that introduces a luminous contrast with the structure and adds depth to the composition. This finish, with its impeccable aesthetic impact, enhances the geometry of the sideboard through a controlled and never excessive brilliance.
The Enea collection is characterized by a high level of compositional versatility: different configurations of modules, drawers and doors allow the structure to be customized according to both aesthetic and functional needs. The variants mainly differ in:
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matte lacquered wood finishes
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configurations of glossy glass fronts
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layout and number of doors and drawers
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dimensions available within the storage program
Each version preserves the elegant and rigorous identity of the Enea line, expressing a perfect balance between technical materials and formal linearity, fully consistent with Bontempi’s stylistic research.
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